Flute/light Project Video 5: Jacob Thiede’s And everything in-between

PC: Ash Stemke. Used with permission.

I’m a doctor! Which means the end of my dissertation project adventure. Yes. This is my last flute/light video release—at least for now!

Flute/light video? What does that mean? Let me get you up to speed.

Here’s a video I made explaining my flute/light intermedia art project!
And below are links to four more flute/light videos:

Anna Meadors, At Daybreak
Stuart Saunders Smith, The Circle of Light
Kyle RowanKomorebi
Michael S. Rothkopf, I Dream of Coloured Inks

Does all music have a narrative? Jacob Thiede’s piece And everything in-between investigates this question—and also the concept of unlistable infinity. The result: a palpable sense of excitement, mystery, and adventure. Does And everything in-between ever foil your expectations? Can you identify some of the many moods, sounds, and colors it explores? Feel free to comment with your thoughts below!

And everything in-between was recorded on December 3, 2016 in Brown Theatre at the University of North Carolina Greensboro. Wayne Reich and Ben Singer created the cinematic video. Lowell Fuchs helped me with sound; and Asher Carlson and Abigail Simoneau served as grips. I will never be able to fully express my thanks to all who contributed to this video—and to all who helped make my flute/light project possible!

This has been an incredible journey. My thanks also to all who have taken the time to watch these videos and join me in their celebration!

For more about And everything in-between (and some beautiful photos), check out Wayne’s blog, here.

Flute/light Project Video 4: Michael Rothkopf’s I Dream of Coloured Inks

New experiences can be something of a revelation, can’t they? The first time I ever tried zhajiangmian, it became a comfort food—and I crave it on and off ever since.

What does food from northern China have to do with music? The analogy’s a bit of a stretch, but Dr. Michael S. Rothkopf’s I Dream of Coloured Inks for Two Flutes and Computer (flute/light video 4) was the primary catalyst for my flute/light project. The enveloping, dynamic light in the piece whet my appetite for more!

Flute and light? Video 4? What am I talking about? Here: I’ll catch you up in a jiffy.

Check out the video I made about my flute/light intermedia art project!
And below are links to the first three flute/light videos:

Anna Meadors, At Daybreak
Stuart Saunders Smith, The Circle of Light
Kyle Rowan, Komorebi

Three years ago, in 2014, I published a blog post about I Dream of Coloured Inks’ world premiere. Way back then, I promised an I Dream of Coloured Inks video—and here it is!

Dr. Rothkopf’s piece is an improvisation for two flutes, lights, and computer. The computer listens to various aspects of the flutists’ sound—things like pitch, articulation, timbre, and dynamic—and responds both visually and sonically based on a series of probability tables in the Coloured Inks’ Max program. It’s an exciting exploration in sonic and visual color!

The piece was recorded on January 22, 2017, in Crawford Hall at the University of North Carolina School of the Arts. I was assisted by the lovely flutist Sarah Busman, as well as the audio and visual dynamic duo Ben Singer and Wayne Rich. I am deeply thankful for the generous help of all who contributed to this video—including the UNCSA Design and Production lighting department.

See Wayne’s lovely I Dream of Coloured Inks blog post for his thoughts and pictures!

A Seasoned Musician?

Amadeus

Wolfgang and his powdered wig conducting the FSO.

June has arrived, and my first season with the Fayetteville Symphony Orchestra has
come to a close.  Puns aside, it has been such a blast!  I have learned so much from my incredibly friendly woodwind and brass colleagues and have gotten to play amazing repertoire, to boot.  Some season highlights include: being part of a live production of
Amadeus
 in collaboration with the Cape Fear Regional Theatre, playing piccolo in Hector Berlioz’s Symphonie fantastique, and my first ever performance of John Philip Sousa’s Stars and Stripes Forever–on Sousa’s 160th birthday.  For a little peek into what this year was like, check out this flattering review of our Season finale in April: “This performance [of Berlioz’s Symphonie fantastique] ranked among the best, live or on record.”  Wow!  In short, I feel incredibly blessed.

IMG_6213Meanwhile, in March, I was blessed to begin work at the University of North Carolina School of the Arts’ Community Music School.  My little studio has
taught me so very much in the last three months; I can’t wait to continue working with the students very soon!

Of course, my first year as a DMA student has also ended.  The end of the semester brought me two exciting multimedia experiences.  The first: performances of MAX patches written by members of the Greensboro Laptop Orkestra (GLOrk).

Second, Dr. Michael S. Rothkopf (composer of Coloured Inks) asked me to perform an excerpt of his work Gitanjali with three lovely dancers at UNCSA’s M3 Spree.  Flute, computer, and dance–what an incredible experience!

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“Of the Energies,” by Kate McFalls, at UNCSA’s M3 Spree.

Hired! and other updates.

IMG_5695Time sure does seem to fly when you’re having fun, and the last months have been quite the whirlwind!  I auditioned for the Fayetteville Symphony Orchestra‘s second flute opening in May 2014 and still am wildly ecstatic to have been selected for the job.   I played my first concert with the FSO in September, beginning my professional orchestra career with good old Beethoven 5.  While this year is still a probational period for me, it has been such an honor and privilege to perform with such fine musicians!  Check out my profile with the symphony here.

After three amazing weeks in China over the summer, I came back to compete at the Rosen-Schaffel competition in Boone, NC, where I finally proved to myself that I can play from memory.

In November, my good friend Elizabeth Milligan and I performed I Dream of Coloured Inks on a recital featuring compositions by Michael S. Rothkopf at UNCSA’s Watson Hall.  It was amazing to be on a program with some of my former professors.

And now?  I’m working hard at learning Max/MSP, not to mention researching potential dissertation topics.

Remember that time Sir James Galway came to hear a few UNC School of the Arts students play in a masterclass?  I found out, much later, he mentioned us in his blog!  “…the students play to a very high level.”  What a compliment!

I Dream of Coloured Inks.

IMG_4321
IMG_4312Once upon a time, I was given the opportunity to perform a work called Improvisation for Flute and Computer by Dr. Michael S. Rothkopf.  [You can read about that multimedia experience and listen to a recording here.]

Since then, Dr. Rothkopf kindly composed me a work  for two flutes and computer.  His source of inspiration: the Hungarian poem “Mostan színes tintákról álmodom” (“I Dream of Coloured Inks”) by Kosztolányi Dezső.  As theIMG_4317 work evolved, the opportunity arose for the piece to become multimedia artwork with the
addition of a visual component!  A lighting program (influenced by the artwork of James Turrell) was generated by four Design & Production students at UNCSA, with the help of their lighting instructor Norman Coates.

In a performance of Improvisation or Coloured Inks, the computer (Max/MSP) listens to six elements of the sound being generated by the two flutes and makes decisions pertaining to how it will respond musically. Now, however, with the addition of the lighting program in Coloured Inks, the computer also responds visually.

The work was premiered on April 30, 2014 at UNCSA and received a second performance at UMBC in May 2014.  Because the lighting program is being further developed, a link to the work will be available after a third performance late this year.

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